![]() Her television, film and audio include, Return (GMAC Film), Be Like Elsie (Lothian Films), Aladdin (Walt Disney Pictures), Gold (Eros International), Beauty and the Beast (Walt Disney Pictures), The Great (Hulu), The Terrific Treevils (Watford Palace and Woodland Trust production), Rumi (original cast recording), The Shadow of Tay (The Scotsman Sessions), and Letter To… (Stellar Quines and Pitlochry Festival Theatre). Blythe also released her first EP with electro-pop band Arroh. 72. He will need all the resilience he can muster and the assistance of quick-witted Frenchman, Passepartout (Ibrahim Koma). Distribution Company United Artists Corp. Federation Entertainment, the production entity behind Around the World in 80 Days and The Bureau, has acquired a majority stake in independent French company Robin & Co. Phileas Fogg (David Tennant) is inspired to take on an almost impossible wager-to circumnavigate the globe in just eighty days. Alicia Malone Intro - Around The World In 80 Days (1956) Film Details Genre Epic Adaptation Adventure Release Date Jan 1956 Premiere Information New York premiere: Los Angeles premiere: Production Company Michael Todd Co., Inc. ![]() The band embarked on sell out tours around the world and featured in. Blythe trained at The Dance School of Scotland and subsequently The Arts Educational Schools, London.īlythe’s theatre credits include, Jean in A Mother’s Song: A New Folk Musical (Macrobert Arts Centre) Belle in Beauty and the Beast (King’s Theatre Glasgow), Liz in Sunshine on Leith, Jean Passepartout in Around the World in 80 Days and Maggie in The Maggie Wall (Pitlochry Festival Theatre 2022), Princess Jasmine in Aladdin (SEC Armadillo), Ensemble in Rumi: The Musical in Concert (The London Coliseum), Ensemble in Joseph and The Amazing Technicolour Dreamcoat (The London Palladium 2021), Pinky in Bend It Like Beckham (North American premiere), Ensemble/Cover Princess Jasmine in Disney’s Aladdin (The Prince Edward Theatre, London), Ensemble in The Wizard of Oz (Sheffield Crucible), Cover Buffy/Ashley in Starlight Express (The Starlight Express Theatre, Bochum), Follies (The Royal Albert Hall), The Olivier Awards 2015 (Royal Opera House), and Tinker Bell in Peter Pan(Clyde Auditorium, Glasgow). Around the World in 80 Days Season 1 (523) 7.2 2022 X-Ray TV-14 London, 1872. Recorded at Edinburghs famed Palladium Studios and co- produced with 4-AD supremo. ![]()
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QuickPayPortal – Easily Pay Medical Bill Using QuickPay … Athena Health started the QuickPayPortal with a motive to ease the bill payment related to the hospital bills and treatment costs. QuickPayPortal is an online medical and treatment bill payment facility provided by Athena Health, Inc. QuickPayPortal: How to access QuickPayPortal and Pay bills at using quickpay code is what i am going to share in this article. Where can I find my code? Note: This page should only be accessed by the patient or those authorized by the patient (e.g guarantor). To sign in, enter the QuickPay Code, also known as Statement ID or Access Code, from your patient statement, then click Sign In. This secure connection utilizes industry standard Secure Socket Layer (SSL) encryption to ensure secure data transmission as well as server-side digital certificate authentication. All communications between you and your provider’s office are carried over a secure, encrypted connection. ![]() ![]() ![]() Kudos to Hyungsoo Kim for coming up with the idea and designing a watch for the visually impaired. They are equally appropriate for people who just want something tactile rather than visual.įrom our perspective, Eone watches are on an entirely different plane. Strap colours include black, tan, brown, yellow, crimson, and several shades of grey.Įone Bradley watches make an ideal gift for both the visually impaired and seniors who may have trouble looking at traditional watches due to cataracts or other visual problems. Cases are either black or titanium silver, with some in the latter category featuring white faces with contrasting hour indicators. Straps are either match or leather.įor the style conscious, Eone offers a variety of colours that can be mixed and matched. Case choices include stainless steel, titanium, and a hybrid case with both materials. But the Bradley is also tough and hard wearing. It is, thanks to a state-of-the-art quartz movement and solid mechanics. You would expect a watch like the Eone Bradley to be designed for accurate timekeeping. This is truly an all-in-one package for telling time regardless of your visual acuity. Not only is the Eone Bradley an outstanding timepiece for the visually impaired, but its design is thoughtful enough that sighted people actually love this brand too. With the Eone, you can discreetly get the time even if you are not visually impaired.Įone should be commended for what they've done here. The actual face of the watch includes raised indicators allowing you to actually feel the time. A second rotates along the outside edge to indicate the hour. One of the ball bearings rotates around the top of the watch to tell you the minutes. Eone replaces those hands with two ball bearings. The Eone Bradley is an amazing wristwatch that dispenses with the old analogue paradigm featuring an hour, minute, and second hands. Still, none of them compare to what Eone has done. Other watch manufacturers can brag about their revolutionary technology. This gave Kim an idea: visually impaired consumers need a wristwatch that doesn't draw attention to them They need a watch that is tactile. Kim had a visually impaired classmate who would whisper to a sighted friend asking for the time rather than interrupt a lecture with his talking watch. That is exactly what Eone inventor and founder Hyungsoo Kim discovered as a student at MIT. The regular retail model for this watch – when paired with a mesh stainless steel strap – goes for only $315 UDS.What would you do if your vision were impaired enough that you couldn't use a normal watch? You could choose to buy a digital watch with audio capabilities, but having your watch speak to you could be distracting in some environments. 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It features raised hour markers with a smooth mirrored finish that allow the wearer to feel the time by touch. The watch is distinctly minimalist in design. The company’s signature timepiece, the Bradley is a sleek and modern timepiece that the wearer can both touch and see to tell time. They are forced to choose between imprecise and usually unstylish tactile watches, or instead opt for talking watches that tell the user – and everyone in the vicinity – what time it is.Īfter consultations with designers and individuals with vision impairments – and bankrolled by a highly successful crowd funding campaign - the Bradley was born. He first came up with the idea to develop a new watch when he realized that people that are visually impaired don’t have much choice in terms of ways to tell the time. The company was stared by Hyungsoo Kim, a graduate student at the highly respected Massachusetts Institute of Technology (MIT). Yes, their models look distinctly different from your average timepiece, but the venture has a nice social purpose behind it as well. The young company has developed a modern and affordable timepiece that the wearer can both touch and see to tell time.Įone is not your typical watchmaker. ![]() ![]() ![]() ![]() MODELING IN A PROBLEM-SOLVING FRAMEWORK 15 Models and Modeling 1 1.1.1 Why Study Modeling? 2 1.1.2 Models in Business 2 1.1.3 Models in Business Education 3 1.1.4 Benefits of Business Models 3 The Role of Spreadsheets 4 1.2.1 Risks of Spreadsheet Use 5 1.2.2 Challenges for Spreadsheet Users 6 1.2.3 Background Knowledge for Spreadsheet Modeling 7 The Real World and the Model World 7 Lessons from Expert and Novice Modelers 9 1.4.1 Expert Modelers 9 1.4.2 Novice Modelers 11 Organization of the Book 12 Summary 13 Suggested Readings 14 To Becky and Judy, for all their encouragement and support pages cm Includes bibliographical references and index. Management science : the art of modeling with spreadsheets / Stephen G. Library of Congress Cataloging-in-Publication Data Powell, Stephen G. Return instructions and a free of charge return shipping label are available at Outside of the United States, please contact your local representative. Upon completion of the review period, please return the evaluation copy to Wiley. These copies are licensed and may not be sold or transferred to a third party. Evaluation copies are provided to qualified academics and professionals for review purposes only, for use in their courses during the next academic year. ![]() 222 Rosewood Drive, Danvers, MA 01923, website Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030-5774, (201)748-6011, fax (201)748-6008, website. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc. For more information, please visit our website: citizenship. Among the issues we are addressing are carbon impact, paper specifications and procurement, ethical conduct within our business and among our vendors, and community and charitable support. In 2008, we launched a Corporate Citizenship Initiative, a global effort to address the environmental, social, economic, and ethical challenges we face in our business. Our company is built on a foundation of principles that include responsibility to the communities we serve and where we live and work. has been a valued source of knowledge and understanding for more than 200 years, helping people around the world meet their needs and fulfill their aspirations. The cover was printed by Courier Kendalville. This book was set in 10/12 Times Roman by Thomson Digital and printed and bound by Courier Kendalville. George Hoffman Lise Johnson Brian Baker Jacqueline Hughes Amy Scholz Kelly Simmons Marissa Carroll Harry Nolan Allison Morris Janis Soo Joel Balbin Vice President and Publisher Executive Editor Project Editor Editorial Assistant Director of Marketing Senior Marketing Manager Marketing Assistant Design Director Product Designer Senior Production & Manufacturing Manager Associate Production Manager MANAGEMENT SCIENCE The Art of Modeling with Spreadsheets ![]() ![]() ![]() ![]() ![]() The Drowsy Chaperone opened on Broadway at the Marquis Theatre, 1535 Broadway between 46th and 47th Streets, on May 1, 2006. The audience was absolutely delirious with laughter from start to finish. The dynamic ensemble is having the time of their lives and their effervescent joy is contagious. The engaging songs with their vibrant score by Lisa Lambert and Greg Morrison give everyone a moment in the spotlight. The uniformly vivacious performances are often hilarious never failing to keep you smiling throughout. Indeed everything about this intoxicating cocktail as directed and choreographed by Casey Nicholaw is Photo by Joan Marcus In the real world nothing works out and the only people who burst into song are the hopelessly deranged.” Man in chair is a contrived gimmick, but as conceived by Bob Martin, who co-authored the show with Don Mckellar, he’s a charming delight that keeps the outstanding cast on their magical carpet ride and saves the evening from being just another parody with his refreshing comments, “This is ridiculous,” or “I hate that scene,” and reminding us “Everything works out in musicals. There is even a trap door that allows for dramatic exits that descend through the floor. Set pieces float from the ceiling, emerge from walls, and characters make elaborate entrances right out of the refrigerator. The imaginative scenic design by David Gallo magically comes to life from out of nowhere. Tottendale (Georgia Engel), her man servant Underling (Edward Hibbert), the producer’s blonde bimbo girlfriend Kitty (Jennifer Smith) and several others. All sorts of crazy shenanigans arise involving the rest of the wacky characters that include a pair of lunatic gangsters posing as a vaudeville team (Jason and Garth Kravits), the wedding hostess Mrs. Her producer (Lenny Wolpe) attempts to sabotage the wedding by having the Latin lover Aldolpho (Danny Burstein) seduce her, but Aldolpho mistakes her chaperone (Beth Leavel) for the star instead. The musical within the musical tells the tale of a pampered Broadway star Janet Van De Graff (Sutton Foster), who plans to give up show business to marry the dashing bachelor Robert Martin (Troy Britton Johnson). The show with its screwball characters singing and dancing is nothing more than silly fun that whimsically floats on air. Our ecstatic guide shares his running commentary throughout the evening encouraging us to let loose for a zany ride down memory lane. He tells us to ignore the lyrics as he ushers us back in time to the Morosco Theatre November 1928 by playing the record, and the madcap musical suddenly bursts to life right in his apartment. To cheer himself he decides to play the cast recording from one of his favorite ditzy shows, The Drowsy Chaperone. Yes record player, no CDs for him, he loves the static from the needle saying, “To me that’s the sound of a time machine starting up.” We are allowed for a brief hour and 40 minutes to chase all the blues away and escape into the madness of the musical theatre world.The evening begins with the audience sitting in a pitch black theatre for a few moments before we hear the voice of our host, simply referred to as Man in Chair, saying “Dear Lord please let it be good.” We are then taken into the cluttered New York City apartment of this die hard musical theatre fan, where he sits stage right in an overstuffed easy chair next to his record player. Although little more than a parody of stock characters singing a pastiche of songs from the period that steels boldly from later day musicals as well, the evening is served with such tremendous style and wit that the loving tribute actually stops time. Thank you for your support and interest in this production.The Drowsy Chaperone, a spoof of Broadway musicals from the 1920’s, is an homage to the golden era of theatre when people longed for nothing more than to be magically transported to another world. Please use your music or script cuttings while singing or reading unless you are absolutely sure you have the part memorized. ![]() You do not need to memorize music or scenes. Only those people called back for Janet, Robert, Aldolpho and Chaperone need to learn the other songs (the one(s) for their part(s)). We will have a limited number of copies to borrow at callbacks but prefer you to bring your own copy if you can print it.Īll people should familiarize themselves with FANCY DRESS, specifically for the part(s) you are called back for and also with the ensemble sections (labelled Staff, Men, Women and All) as everyone will be expected to sing those parts as part of the callbacks. Please print the sheet music if at all possible and bring it to the callbacks. We have provided both the sheet music in PDF form and a copy of the song from the Original Broadway Cast album in MP3 form for you to download and use to practice. ![]() ![]() ![]() 1圎27 40W 230VModel: Globo 55010H1Material/Colour: Metal whiteGlass/Shade: Gypsum whiteDiameter, mm: 200Height, mm: 1775Substance: 1x E27, 40 WattVoltage: 230 Voltdimmbar: noShape: roundWeight, kg: 2.61Substance incl.: no. Crouse Hinds Adjustable Mud Ring, Steel, 1-Gang, Adjusts 5/8 in. With other models of this series you can further embellish the image of your living space.Hanging lamp, plaster white, chrome ring, white cable, D:200, H:1775, excl. Find many great new & used options and get the best deals for LOT OF 2)PLASTER RING / MUD RING 4 X4 SQUARE TO 3 ROUND 3/8 RAISED(AF4 at the best online. ![]() Due to their longevity, we recommend LED bulbs. 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With respect to the prices of automobiles, all such information is provided by third-parties and the accuracy of the information and the price has not been verified by GrooveCar, Inc., GrooveCar.Com, or it's partners.Īny calculations provided are an estimate only and do not constitute a quote or offer of finance.Welcome to the online home of RV Value Mart - your favorite one-stop-shop for your next family RV vacation. ![]() Not responsible for pricing or typographical errors. Some vehicle images shown are stock photos and may not reflect your exact choice of vehicle, color, trim and specification. Because of the numerous possible combinations of vehicle models, styles, colors and options, the vehicle pictures on this site may not match your vehicle exactly however, it will match as closely as possible. See the actual vehicle for complete accuracy of features, options & pricing. Some vehicles shown with optional equipment. Vehicles may be in transit or currently in production. Pricing throughout the web site does not include any options that may have been installed at the dealership. The vehicle photo displayed may be an example only. All Inventory listed is subject to prior sale. While every effort has been made to ensure display of accurate data, the vehicle listings within this web site may not reflect all accurate vehicle items. is not liable for any direct or indirect loss, cost or expense, inconvenience or damage that may result from use or reliance on said information. and provide this service and materials without representations or warranties of any kind, either expressed or implied. ![]() ![]() and assume no responsibility for errors or omissions and are not responsible for the accuracy of such information. Novak Motors offers below market pricing.ensuring you always get the best deal without the stress of negotiation More MoreĬompare up to five vehicles for a side-by-side comparison to ensure you make the right choice before you visit the dealership. Moreįind the nearest dealership and browse local inventory. Use our calculator to see how much you can save on your existing loan by refinancing with us. ![]() ![]() ![]() Its original promoter, former Guggenheim head Thomas Krens, and its longtime director, Joe Thompson (a Krens protégé) promised it would be an engine of economic development, and hopes were high that it would radically change the fortunes of this hardscrabble, working-class town in the Berkshires and the surrounding area.Ĭertainly MASS MoCA has had a positive impact on the town of North Adams in the thirty years since the painful process of deindustrialization began. The museum came into existence in the wake of the shutdown of its region’s largest employer, which had occupied the campus for many years. ![]() ![]() There’s always been a lot riding on MASS MoCA’s success. As is often the case with American racism, this exclusion was slow, systemic, and paved with good intentions. How, in 2017, could this happen? Paradoxically, it seems that the very strategies the museum is pursuing to open up its space to multiple voices are themselves responsible for ensuring that the only voices heard are the usual suspects. (We counted five, among several hundred.) But any humor I found in the situation dissipated as I realized what I was being asked to celebrate: a building devoted almost entirely to the work of white artists. The question, of course, is “welcoming to whom”? At the Sunday morning celebration of its opening, a friend and I played a joking game of counting all the people of color there – something I have long done in these parts, feeling, as I do, like a fish out of water in the overwhelmingly white cultural spaces of New England. But size is not its only salient feature: the museum is an experiment in new forms of programming based on partnerships with artists, foundations, and other institutions meant to make it a heterogeneous and welcoming place. And here's a tip: many don't realise that MASS MoCA is as much a performing arts venue as museum, so align your trip with one of our almost weekly presentations of music, theater, dance, and film.On May 28, 2017, MASS MoCA inaugurated its new Building 6, doubling its existing gallery space and turning the 16-acre complex of abandoned, 19 th-century factory buildings into the largest contemporary art museum in the United States. After you've covered the temporary exhibitions, visit as many of our long-term shows that you can. ![]() Most of our shows rotate every year - and most of our shows only appear at MASS MoCA, since we specialise in very large, often impossible-to-replicate installations. MASS MoCA occupies a 16-acre site: with 22 buildings, and an intricate network of courtyards and elevated walkways, there is a lot of art to cover. How should first-time visitors structure their visit? Here MASS MoCA direct director Joseph Thompson presents his insider guide to its most striking works and unexpected facets. With the site hosting a multitude of festivals and one-off events alongside holding an impressive collection of works from the likes of James Turrell and Jenny Holzer, there is invariably much to see - even if every visit is different. 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